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THERE is more than the germ of truth in things erroneous in the
child's definition of memory as the thing one forgets with. To be
able to forget means sanity. Incessantly to remember means
obsession, lunacy. So the problem I faced in solitary, where
incessant remembering strove for possession of me, was the
problem of forgetting. When I gamed with flies or played chess
with myself, or talked with my knuckles, I partially forgot. What I
desired was entirely to forget.
There were the boyhood memories of other times and places—
the "trailing clouds of glory" of Wordsworth. If a boy had had
these memories, were they irretrievably lost when he had grown
to manhood? Could this particular content of his boy brain be
utterly eliminated? Or were these memories of other times and
places still residual, asleep, immured in solitary in brain cells
similarly to the way I was immured in a cell in San Quentin?
Solitary life-prisoners have been known to resurrect and look
upon the sun again. Then why could not these other-world
memories of the boy resurrect?
But how? In my judgment, by attainment of complete
forgetfulness of present and of manhood past.
And again, how? Hypnotism should do it. If by hypnotism the
conscious mind were put to sleep, and the subconscious mind
awakened, then was the thing accomplished, then would all the
dungeon doors of the brain be thrown wide, then would the
prisoners emerge into the sunshine.
So I reasoned—with what result you shall learn. But first, I
must tell how as a boy I had had these other-world memories. I
had glowed in the clouds of glory I trailed from lives aforetime.
Like any boy, I had been haunted by the other beings I had been
at other times. This had been during my process of becoming, ere
the flux of all that I had ever been had hardened in the mold of the
one personality that was to be known by men for a few years as
Darrell Standing.
Let me narrate just one incident. It was up in Minnesota on
the old farm. I was nearly six years old. A missionary to China,
returned to the United States and sent out by the Board of
Missions to raise funds from the farmers, spent the night in our
house. It was in the kitchen just after supper, as my mother was
helping me undress for bed, and the missionary was showing
photographs of the Holy Land.
And what I am about to tell you, I should long since have
forgotten, had I not heard my father recite it to wondering
listeners so many times during my childhood.
I cried out at sight of one of the photographs and looked at it,
first with eagerness, and then with disappointment. It had seemed
of a sudden most familiar, in much the same way that my father's
barn would have been in a photograph. Then it had seemed
altogether strange. But as I continued to look, the haunting sense
of familiarity came back.
"The Tower of David," the missionary said to my mother.
"No!" I cried with great positiveness.
"You mean that isn't its name?" the missionary asked.
I nodded.
"Then what is its name, my boy?"
"Its name is . . ." I began, then concluded lamely, "I forget.
"It don't look the same now," I went on after a pause.
"They've ben fixin' it up awful."
Here, the missionary handed to my mother another
photograph he had sought out.
"I was there myself six months ago, Mrs. Standing." He
pointed with his finger. "That is the Jaffa Gate where I walked in
and right up to the Tower of David in the back of the picture
where my finger is now. The authorities are pretty well agreed
on such matters. El Kul'ah, as it was known by—"
But here I broke in again, pointing to rubbish piles of ruined
masonry on the left edge of the photograph.
"Over there somewhere," I said. "That name you just spoke
was what the Jews called it. But we called it something else. We
called it . . . I forget."
"Listen to the youngster," my father chuckled. "You'd think
he'd teen there."
I nodded my head, for in that moment I knew I had been
there, though all seemed strangely different. My father laughed
the harder, but the missionary thought I was making game of
him. He handed me another photograph. It was just a bleak
waste of a landscape, barren of trees and vegetation, a shallow
canyon with easy-sloping walls of rubble. In the middle distance
was a cluster of wretched, flat-roofed hovels.
"Now, my boy, where is that?" the missionary quizzed.
And the name came to me!
"Samaria," I said instantly.
My father clapped his hands with glee, my mother was
perplexed at my antic conduct, while the missionary evinced
irritation.
"The boy is right," he said. "It is a village in Samaria. I
passed through it. That is why I bought it. And it goes to show
that the boy has seen similar photographs before."
This my father and mother denied.
"But it's different in the picture," I volunteered, while all the
time my memory was busy reconstructing the photograph. The
general trend of the landscape and the line of the distant
hills were the same. The differences I noted aloud and pointed
out with my finger.
"The houses was about right here, and there was more trees,
lots of trees, and lots of grass, and lots of goats. I can see 'em
now, an' two boys drivin' 'em. An' right here is a lot of men
walkin' behind one man. An' over there"—I pointed to where I
had placed my village—"is a lot of tramps. They ain't got nothin'
on exceptin' rags. An' they're sick. Their faces, an' hands, an'
legs is all sores."
"He's heard the story in church or somewhere—you
remember, the healing of the lepers, in Luke," the missionary said
with a smile of satisfaction. "How many sick tramps are there,
my boy?"
I had learned to count to a hundred when I was five years
old, so I went over the group carefully and announced:
"Ten of 'em. They're all wavin' their arms an' yellin' at the
other men."
"But they don't come near them?" was the query.
I shook my head. "They just stand right there an' keep a-
yellin' like they was in trouble."
"Go on," urged the missionary. "What next? What's the man
doing in the front of the other crowd you said was walking
along?"
"They've all stopped, an' he's sayin' something to the sick
men. An' the boys with the goats 's stopped to look. Everybody's
lookin'."
"And then?"
"That's all. The sick men are headin' for the houses. They
ain't yellin' any more, an' they don't look sick any more. An' I just
keep settin' on my horse a-lookin' on."
At this all three of my listeners broke into laughter.
"An' I'm a big man!" I cried out angrily. "An' I got a big
sword!"
"The ten lepers Christ healed before he passed through
Jericho on his way to Jerusalem," the missionary explained to my
parents. "The boy has seen slides of famous paintings in some
magic-lantern exhibition."
But neither Father nor Mother could remember that I had
ever seen a magic lantern.
"Try him with another picture," Father suggested.
"It's all different," I complained as I studied the photograph
the missionary handed me. "Ain't nothin' except that hill and them
other hills. This ought to be a county road along here. An' over
there ought to be gardens, an' trees, an' houses behind big stone
walls. An' over there, on the other side, in holes in the rocks ought
to be where they buried dead folks. You see this place?—They
used to throw stones at people there until they killed 'em. I never
seen 'em do it. They just told me about it."
"And the hill?" the missionary asked, pointing to the central
part of the print, for which the photograph seemed to have been
taken. "Can you tell us the name of the hill?"
I shook my head.
"Never had no name. They killed folks there. I've seen 'm
more 'n once."
"This time he agrees with the majority of the authorities,"
announced the missionary with huge satisfaction. "The hill is
Golgotha, the Place of Skulls, or, as you please, so named because
it resembles a skull. Notice the resemblance. That is where they
crucifiedÄ" He broke off and turned to me. "Whom did they
crucify there, young scholar? Tell us what else you see."
Oh, I saw—my father reported that my eyes were bulging;
but I shook my head stubbornly and said:
"I ain't a-goin' to tell you because you're laughin' at me. I
seen lots an' lots of men killed there. They nailed 'em up, an' it
took a long time. I seen—but I ain't a-goin' to tell. I don't tell lies.
You ask Dad an' Ma if I tell lies. He'd whale the stuffin' out of me
if I did. Ask 'm."
And thereat not another word could the missionary get from
me, even though he baited me with more photographs that sent
my head whirling with a rush of memory pictures and that urged
and tickled my tongue with spates of speech which I sullenly
resisted and overcame.
"He will certainly make a good bible scholar," the missionary
told Father and Mother after I had kissed them good night and
departed for bed. "Or else, with that imagination, he'll become a
successful fiction writer."
Which shows how prophecy can go agley. I sit here in
Murderers' Row, writing these lines in my last days or, rather, in
Darrell Standing's last days ere they take him out and try to thrust
him into the dark at the end of a rope, and I smile to myself. I
became neither bible scholar nor novelist. On the contrary, until
they buried me in the cells of silence for half a decade, I was
everything that the missionary forecasted not—an agricultural
expert, a professor of agronomy, a specialist in the science of the
elimination of waste motion, a master of farm efficiency, a precise
laboratory scientist where precision and adherence to microscopic
fact are absolute requirements.
And I sit here in the warm afternoon, in Murderers' Row, and
cease from the writing of my memoirs to listen to the soothing
buzz of flies in the drowsy air, and catch phrases of a low-voiced
conversation between Josephus Jackson, the Negro murderer on
my right, and Bambeccio, the Italian murderer on my left, who are
discussing, through grated door to grated door, back and forth past
my grated door, the antiseptic virtues and excellences of chewing
tobacco for flesh wounds.
And in my suspended hand I hold my fountain pen, and as I
remember that other hands of me, in long gone ages, wielded
inkbrush, and quill, and stylus, I also find thought-space in time to
wonder if that missionary, when he was a little lad, ever trailed
clouds of glory and glimpsed the brightness of old star-roving days.
Well, back to solitary, after I had learned the code of knuckle-
talk and still found the hours of consciousness too long to endure.
By self-hypnosis, which I began successfully to practice, I
became able to put my conscious mind to sleep and to awaken
and loose my subconscious mind. But the latter was an
undisciplined and lawless thing. It wandered through all
nightmarish madness, without coherence, without continuity of
scene, event, or person.
My method of mechanical hypnosis was the soul of
simplicity. Sitting with folded legs on my straw mattresses, I
gazed fixedly at a fragment of bright straw which I had attached
to the wall of my cell near the door, where the most light was. I
gazed at the bright point, with my eyes close to it and tilted
upward till they strained to see. At the same time I relaxed all the
will of me and gave myself to the swaying dizziness that always
eventually came to me. And when I felt myself sway out of
balance backward, I closed my eyes and permitted myself to fall
supine and unconscious on the mattress.
And then, for half an hour, ten minutes, or as long as an hour
or so, I would wander erratically and foolishly through the stored
memories of my eternal recurrence on earth. But times and
places shifted too swiftly. I knew afterward, when I awoke, that
I, Darrell Standing, was the linking personality that connected all
bizarreness and grotesqueness. But that was all. I could never
live out completely one full experience, one point of
consciousness in time and space. My dreams, if dreams they may
be called, were rhymeless and reasonless.
Thus, as a sample of my rovings: In a single interval of
fifteen minutes of subconsciousness, I have crawled and bellowed
in the slime of the primeval world and sat beside Haasfurther and
cleaved the twentieth-century air in a gas-driven monoplane.
Awake, I remembered that I, Darrell Standing, in the flesh, during
the year preceding my incarceration in San Quentin, had flown
with Haasfurther over the Pacific at Santa Monica. Awake,
I did not remember the crawling and the bellowing in the ancient
slime. Nevertheless, awake, I reasoned that somehow I had
remembered that early adventure in the slime, and that it was a
verity of long-previous experience, when I was not yet Darrell
Standing but somebody else, or something else that crawled and
bellowed. One experience was merely more remote than the
other. Both experiences were equally real-or else how did I
remember them?
Oh, what a fluttering of luminous images and actions! In a
few short minutes of loosed subconsciousness, I have sat in the
halls of kings, above the salt and below the salt, been fool and
jester, man-at-arms, clerk and monk; and I have been ruler above
all at the head of the table—temporal power in my own sword
arm, in the thickness of my castle walls, and the numbers of my
finshing* men; spiritual power likewise mine by token of the fact
that cowled priests and fat abbots sat beneath me and swigged
my wine and swined my meat.
I have worn the iron collar of the serf about my neck in cold
climes; and I have loved princesses of royal houses in the tropic-
warmed and sun-scented night, where black slaves fanned the
sultry air with fans of peacock plumes, while from afar, across the
palms and fountains, drifted the roaring of lions and the cries of
jackals. I have crouched in chill desert places warming my hands
at fires built of camel's dung; and I have lain in the meager shade
of sun-parched sagebrush by dry waterholes and yearned dry-
tongued for water, while about me, dismembered and scattered in
the alkali, were the bones of men and beasts who had yearned
and died.
I have been sea-cunie and bravo, scholar and recluse. I have pored over handwritten pages of huge and musty tomes in the scholastic quietude and twilight of cliff-perched monasteries while beneath, on the lesser slopes peasants still toiled beyond the end of day among the vines and olives and drove in from pastures the blatting goats and lowing kine; yes, and I have led
shouting rabbles down the wheel-worn, chariot-rutted paves of ancient and forgotten cities; and, solemn-voiced and grave as death, I have enunciated the law, stated the gravity of the infraction, and imposed the due death on men, who, like Darrell Standing in Folsom Prison, had broken the law.
Aloft, at giddy mastheads oscillating above the decks of ships,
I have gazed on sun-flashed water where coral growths iridesced
from profounds of turquoise deeps, and conned the ships into the
safety of mirrored lagoons where the anchors rumbled down close
to palm-fronded beaches of sea-pounded coral rock; and I have
striven on forgotten battlefields of the elder days, when the sun
went down on slaughter that did not cease and that continued
through the night hours with the stars shining down and with a
cool night wind blowing from distant peaks of snow that failed
to chill the sweat of battle; and again, I have been little Darrell
Standing, barefooted in the dew-lush grass of spring on the Minnesota
farm, chilblained when of frosty mornings I fed the cattle
in their breath-steaming stalls, sobered to fear and awe of the
splendor and terror of God when I sat of Sundays under the rant
and preachment of the New Jerusalem and the agonies of hell-fire.
Now, the foregoing were the glimpses and glimmerings that
came to me when, in Cell One of Solitary in San Quentin, I
stared myself unconscious by means of a particle of bright, light-
radiating straw. How did these things come to me? Surely I
could not have manufactured them out of nothing inside my pent
walls any more than could I have manufactured out of nothing
the thirty-five pounds of dynamite so ruthlessly demanded of me
by Captain Jamie, Warden Atherton, and the Prison Board of
Directors.
I am Darrell Standing, born and raised on a quarter section
of land in Minnesota, erstwhile professor of agronomy, a prison
incorrigible in San Quentin, and at present a death-sentenced man
in Folsom. I do not know, of Darrell Standing's experience, these
things of which I write and which I have dug from out my
storehouses of subconsciousness. I, Darrell Standing, born in
Minnesota and soon to die by the rope in California, surely never
loved daughters of kings in the courts of kings; nor fought cutlass
to cutlass on the swaying decks of ships; nor drowned in the spirit
rooms of ships, guzzling raw liquor to the wassail-shouting and
death-singing of seamen, while the ship lifted and crashed on the
black-toothed rocks and the water bubbled overhead, beneath,
and all about.
Such things are not of Darrell Standing's experience in the
world. Yet I, Darrell Standing, found these things within myself in
solitary in San Quentin by means of mechanical self-hypnosis. No
more were these experiences Darrell Standing's, than was the
word "Samaria" Darrell Standing's when it leaped to his child lips
at sight of a photograph.
One cannot make anything out of nothing. In solitary I could
not so make thirty-five pounds of dynamite. Nor in solitary, out of
nothing in Darrell Standing's experience, could I make these wide,
far visions of time and space. These things were in the content of
my mind, and in my mind I was just beginning to learn my way
about.
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